technonaturalist

Because they’re apparently useful to have and I haven’t done one forever (seeing as I’ve spent so much time redoing things). Let’s try a 5 year plan.

2017

• character concept art for all characters in the first and second blocks
• come up with a name for the arc the first and second block are in (yes it’s been over a decade and it still doesn’t have a name). Episode names optional.
• build all of the things for the first ep
• make intro, outtro and trailers
• start writing second block
• continue writing Aidan’s blog
• possibly start writing script for Seamus’ storyline (comic)
• make AER website

2018

• build all the things for the second ep
• see if I can interest people enough to be voice actors and run auditions
• -record and animate first ep
• character concept art for every other character I know about. Yes, all of them.
• keep working on second block
• continue with Aidan’s storyline, start Seamus’ if haven’t already

2019

• with luck my build list should be a lot smaller now so should be able to build out everything else
• is the second block finished yet?
• run auditions for new parts or unreprised roles
• record and animate as many eps as possible to my ridiculous standards and assuming I have the hang of things by now
• start writing out C’inokh and Ter’wyn’s stories, decide whether they’re comic or animation

2020

• build/modify all the things for second block
• if possible build all the things for Seamus’ comic
• if possible start work on second block

2021

• have we finished animating and released the entirety of the first block yet?
• can we start producing the second block now?
• I suspect there might be a third block

The 2018 part of the plan involving finding voice actors actually terrifies me because that involves trying to find people who might be interested. I’m actually seriously bad at the marketing side of things as I prefer people to be interested if they find it interesting and feel like even resharing from Patreon and announcing Picarto streams is “too pushy” even though I have been told I’m probably actually not pushing it enough. Everything else is stuff I would be doing anyway. Trying to work out how to get sound into the video is similarly terrifying because I’ve never done it before.

Edited 2017 Jan 7: made the scripts slightly more reliable (not relying on window ids) but they will now get extremely confused if there’s more than one instance of Blender open

Because I’m not smart enough to get the MacOS version of the Automatic Scene Switching plugin for OBS Studio, I gumbied an easy manual one with bash scripts.

So there’s some scenes set up in OBS like so:

Set shortcuts for the scenes in OBS settings like so:

We haven’t really made good use of our zoo passes this year. Hopefully this will be remedied next year. 10yo stole my phone to take a number of photos of things she considered cute and as we ventured into the Asian rainforest to see the Komodo dragon and the red panda it reminded me that there are a few sections we don’t get to very often and we should probably make the effort to go into them.

I spent most of October being out with shingles and a chest infection. JJ managed to take some time off work during the worst of it but after that he was juggling full time work, homeschooling and generally running the house so don’t think he really remembers specifics of any of the homeschooling stuff they did.

Our bees swarmed, and made this nice ball that dangled off one of the fruit trees for a couple of days. We got a relative who is a bee keeper to come pick them up. In the meantime the kids were told to avoid that area, be generally careful while playing outside and I think had some bee-themed lessons from Youtube as both the boys started telling me a lot about bees and hornets shortly afterwards.

The Dragonkin build was relatively easier than the Avian one; the wing fingers were a little bit fiddly but there were only five of them as opposed to a million feathers and all one object as opposed to a million XD

The tail rig was an almighty pain. Firstly, the pitchipoy script couldn’t seem to recognise the bones if I did the tail the easy way (one big bone subdivided down into a million little ones). Or if they were extruded one from another. Long winded duplicate, move along Y a bit and then connect worked (but took ages). Then I tried using bone hooks which I’ve done before but I kept stuffing something or other up and the spline would end up either moving or stretching a long way and I couldn’t seem to find the right combination of settings to make it stop sucking. Then I found this other method that uses bone envelopes which did the job I was trying to do and was a lot easier to set up (one armature modifier vs a million hook modifiers). Except that I’d made the tail too short so I made it longer. Then realised I need the end of the tail to remain stiff as in the time period I’m writing in pretty much all the Dragonkin have weaponised tails (I don’t think they all did in their early generations, but I’ll deal with that if I ever have to make a Dragonkin with a plain tail). Apparently pitchipoy didn’t like me modifying the bone chain so I had to do it again. Ergh.

11yo: the drones are the male bees. They sit around and eat honey, then they mate and die.
7yo: don’t they store honey?
11yo: the drones are the ones with wings.
7yo: some bees don’t have wings? O_o
11yo: OH! I was thinking about ants XD
7yo: bees have ants? o_O

This work by ryivhnn is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License

Apparently doing bookwork with Dad is much more interesting than doing the same bookwork with Mum. I have handed off 11yo to JJ for maths as he’s too advanced for me, so J has been teaching him physics and chemistry and other related things. They started off in the computer room, and then 9yo decided to join them doing English. As he was passing the computer room 7yo happened to look in, I told him not to go in there as they were doing bookwork and he decided then that he wanted to do bookwork too.

• home education

• art